What can you say about a Michael Connelly novel that hasn't already been written before? Good question. But I'll give it a try. Echo Park is the 12th book in the Harry Bosch series (and his 17th work of fiction) and like a lot of people, I've read them all. Unlike a lot of people, I stop reading a popular series when the author gets a big head or his main character becomes an unbelievable super hero -- Tom Clancy and Jack Ryan, raise your hand. I also stop reading when the Hollywood ending is 10 times better than the book's ending -- John Grisham, you lost me at The Firm. Bosch, meanwhile, is the same crime-fighting bastard he's always been. And Connelly still refuses to sell Hollywood the rights to his famous character based in Hollywood. And, of course, he keeps pumping out quality stuff. In Echo Park, Connelly starts with a flashback to a case Harry and Jerry Edgar worked in 1993, one that still haunts Bosch 13 years later. And it's Bosch's pig-headed persistence that puts things into motion in this story. In addition to the cameo by Edgar -- and the far-too-coincidental introduction of his cousin, Gary -- reporter Keisha Russell and long-time nemesis Irving Irving make appearances. Connelly obviously enjoys having Bosch interact with a top-notch Los Angeles Times crime reporter, which he himself once was. The mention of Irving, meanwhile, reminds me of how Connelly has grown as a writer. In one early book, Connelly described Irving in cartoon character-like form -- as a buffoon who clenched his jaws and golf balls formed. That character is now a strong, very serious nemesis to Bosch, just as Connelly is a strong, very serious player in the crime fiction arena. (More Michael Connelly books and reviews)
Sunday, April 6, 2008
Michael Connelly 17: Echo Park
What can you say about a Michael Connelly novel that hasn't already been written before? Good question. But I'll give it a try. Echo Park is the 12th book in the Harry Bosch series (and his 17th work of fiction) and like a lot of people, I've read them all. Unlike a lot of people, I stop reading a popular series when the author gets a big head or his main character becomes an unbelievable super hero -- Tom Clancy and Jack Ryan, raise your hand. I also stop reading when the Hollywood ending is 10 times better than the book's ending -- John Grisham, you lost me at The Firm. Bosch, meanwhile, is the same crime-fighting bastard he's always been. And Connelly still refuses to sell Hollywood the rights to his famous character based in Hollywood. And, of course, he keeps pumping out quality stuff. In Echo Park, Connelly starts with a flashback to a case Harry and Jerry Edgar worked in 1993, one that still haunts Bosch 13 years later. And it's Bosch's pig-headed persistence that puts things into motion in this story. In addition to the cameo by Edgar -- and the far-too-coincidental introduction of his cousin, Gary -- reporter Keisha Russell and long-time nemesis Irving Irving make appearances. Connelly obviously enjoys having Bosch interact with a top-notch Los Angeles Times crime reporter, which he himself once was. The mention of Irving, meanwhile, reminds me of how Connelly has grown as a writer. In one early book, Connelly described Irving in cartoon character-like form -- as a buffoon who clenched his jaws and golf balls formed. That character is now a strong, very serious nemesis to Bosch, just as Connelly is a strong, very serious player in the crime fiction arena. (More Michael Connelly books and reviews)
Kyle Mills 4: Burn Factor
I really liked the first three novels by Kyle Mills -- featuring brilliant but irreverent FBI agent Mark Beamon -- and I was a bit disappointed when Mills changed gears in Burn Factor and introduced female FBI computer programmer/agent-wannabe Quinn Barry. But as the book progressed, I became more and more into Barry, not to mention another great criminal fiction plot by Beamon. The book also features reclusive, former child genius Eric Twain who carries a good deal baggage -- both emotional and otherwise. And while the brain power shared between Barry and Twain is immense, Mills finds a way to portray them not as nerds, but attractive, relatively normal characters who are simply very damn smart. And my reward for accepting Barry? Beamon makes a cameo appearance in the book. Could this mean a book with both of them in it, or is it simply back to Beamon series for Mills? (Read more about Burn Factor on Amazon)
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